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Dear Readers,
I went to the Berrydale show last night at the Okay Mountain and really enjoyed the thing. Ryan Lauderdale reallocates church camp group portraits by updating them in psychedelic prismatic explosions. Michael Berryhill lifts images from Renaissance painting, plants them out of doors at goldenhour, and surrounds them with a detritus of electronics, wires, and trash. The two artists represented together demonstrate a continuum of appropriation. Looking at the work, it feels like you've been here before, but, no, you couldn't have. It just doesn't look like the reality you're used to.
On a related note, I was in the Arts and Leisure Department of the NYT this morning and found this: 'Head On' by Cai Guo-Qiang
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